on drawing water
On Drawing Water
When the water, drawn awfully small
through the calcified tubes
is nothing but rough and
unreluctant from the town
well, a handdug a century or more
ago reservoir up the road, a fallback
of run-off knocks on the copper
pipes in the ceiling
of the basement, I’m not long
considering all the other
knots and elbows under the tar
and where the rest of the town
is pulling it all up from the pond:
Robbie, who if you watch him
walk away he seems headless
in his curvature, a modest Quasimodo,
listening to the whistle
of the morning two-bag strong
tea he steeps for his elderly
mum, still sleeping…
the desk cop on duty, nodding off
all this sluggish dawn, scanner
static, Chinese dumpling farts,
two blocks off barking dog
(then an abrupt shut up cuff)
and in the opposite direction somewhere
up the road a dozen or more
wide and lowing steers
shove their beefy
noses into the last of last year’s
hay. They’ll make the best
of the day, the trough
gone smooth by tonguing
up the littlest bits of it, whatever
it is. Does the one
who draws the water for them
the way I ask my faucet
to draw just by opening a pipe
just by taking it
for granted that the pressure
is set and is precise that the knocking
on the copper is all I need
to know about endings
things, just by shutting them
off, does the farmer, soon to be
leading the first steer of the fall
up the path to be addressed
as savior by more than one
mouth, how his fat flesh
undone will, lifted from the block
and cut to the bone, make a mouth
water, from nose to tongue,
shut up with a gnash and a bang
behind the lips that spoke
salt that spoke coriander
that spoke nothing before water, called.
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