Now Nostalgia
A voice within my shadow wakened me,
a glowing voice: I love the dark
too much—
That voice was always kind; it helped
me now to rest, in its long shadow:
“So much we loved the dark,” it said,
“that all these years apart I have been
here, like this, hidden in your shade.”
William Stafford
One Night
Before I remember you’re not there
I bend in my chair and look
for you through the window and into
the sky. It’s late
April and news of you has arrived
but you alone have not
and now I know you never will and I’ll need
to spend the rest of my life
not expecting you
to. We’d made plans we never intended to
cancel. They wait now like children
who have been told their mother has gone
on a long trip and she won’t be back
for a long long time (they never say never)
and the children/plans wait with their lip
up against the sill and hand against sash
where behind the jamb
the weight and chord bears all the glass
muntin of the window
and ever after the wood and chord of rope
are hopelessly rotting in the quiet
and we look out and take note
of nothing of the way the seasons are
changing—the day soon will walk into
May and even though it’s been a desperate winter, still
didn’t we all make it, didn’t we
think if I just get today dug out and salted
down they’ll be no need to step
like fawns. Right? You agree with me I know
even though you are three decades and more gone off
from all these winters I’ve been accumulating. Maybe Robert
Frost meant more to you while you ran
through warmer sunrises and toward the shore—
he lived in Florida too
and his wife Elinor died there
as they climbed the stairs
collapsed against him and ever after he kept her
tucked inside of him and away
from the winter
from the winter
or maybe you never again considered
New England, having made a life for yourself
somewhere else. Maybe now it’s just Nostalgia,
who in her warm robes is in the corner rocking
chair, who rises up without much of a struggle
and looks down fondly on the child/plan
because she knows the truth and how to make it
soft, she’s the one who bends into the arriving
light and looks the face through
and takes a cheek in each palm—
maybe in the same way a good midwife will,
who can turn a breach, how she massages, speaks
reaches into the dark
she slides every pain out of the way
like coaxing a stuck heated closed window
and she says, doesn’t she:
there’s no tonic for you I’m afraid
waiting is all the cloth I ever make and watch fall
out of my loom. I’ll make you
a coat of it, a shirt and pants, a soft set
of underwear. They’ll be
your going out clothes—
But shhhh. Shhhhh.
Turn away from the window
and watch me dress you
in the mirror. One leg at a time. One arm.
That right. The left one first.
Always the left one first.
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