Faking to the Bitter End:
Whereon faking means coiling the line
in a figure eight fashion so the line will run free
without tangles and the bitter end means
the free end of the line.
I wonder, though, if it happened
to you too, when you stepped or
rode into that clearing and could see
the old house up the long lane
if your stomach didn’t coil
the way I’ve seen snakes coil
around and around and around
so they took on the look
of a bundle of rope, what we’d see
at the cove at the beginning
of and through the lobster
of and through the lobster
season. And all the tools of it:
traps nets sour bait all sorted
when it was safe for him to put
the boat in. And he’d be gone
to it then, tide after tide,
setting and pulling and bringing in
all that lobster or two or three crabs or a mess
of clams he’d dug waiting in the slack
so he could get back at it
or painting the bleached buoy blaze
orange, as though he could justify
being off in the woods in his mind
as if it were November and the doe
he’d been seeing after the season
and into spring grazing at the old apple
tree, the one he never let us touch (but we’d
sneak anyway and he was gone
so what did we care) he would think
she'd come right up to him and eat straight out
she'd come right up to him and eat straight out
of his damaged hand and lick
the place his pinky and the run
of his ulnar nerve and been cut
away and that was when we
were playing a day or two after
Christmas and he’d fallen off
the cat-walk and down into bolted
down machines, secured to the floor
so they wouldn’t dance on out
of there because if they did
the mill would be lost forever past
all those layoffs and then some,
all those layoffs and then some,
and so where would all the men
go? So it was just him then
and after that he wouldn’t be
the same. He raged sometimes
and he was a royal bastard in his pain
Mum said and most of the time later too. And after
Mum said and most of the time later too. And after
that he never hunted again. The house
became, don’t you agree, a tomb
and all the people in it dead or waiting
to die and at night he’d wake up
screaming snakes snakes and today
I still don’t know if it was the nerve
he'd lost or if it was because
he'd lost or if it was because
he watched too many westerns
while hopped up on morphine
seeing all the snakebit cowbows
go down in the dirt after disturbing
a nest of copperheads or if it was
all the tubes and lines going in and
out of him while he bled and bled
and wavered about waiting to be
resuscitated and maybe wondering
if he even wanted to be because is
a wife and four kids enough to want
to stick it out handless for, and at only
38? And could he imagine then
getting well enough to walk through
row after row of coiled rope and lay
money down on an old boat and go out
alone on all that open ocean to look into
it on a glass glass morning and see
himself for the first time that day
and say I’m staying goddamit I’m staying
and step out of the warp and let
the rope go alone with the trap
his body that day at least not needing
to follow it no matter how drunk
a wife at home is no matter how broke
his hand and the heart of it all is
because isn’t that doe right now
reaching out her tongue for an apple
on a low branch and isn’t her lamb
nursing and letting go to run
nursing and letting go to run
but always there beside or sometimes
coiled in the cottongrass and new
shoots of alders?
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